By Andrew Buckner
Rating: ***** out of *****.
Hide in the Light (2018), the debut feature from co-writer and director Mikey McGregor, is moody, spectacular supernatural horror. The efficient and well-mounted 80-minute film effectively utilizes the time-honored device of the sinister being lurking unseen in the darkness. This is most noteworthy in the tense and exciting second half of the arrangement. Yet, the feature is so well-made, paced and tense that it never ceases to feel fresh and exciting. Richard Albert’s wonderfully creepy music, McGregor’s brilliant behind the lens work and Gonzalo Digenio’s rich cinematography only make the production evermore haunting and memorable. These qualities are enhanced by the stunning performances present throughout the endeavor. For example, Eric Roberts offers a phenomenal depiction as Father Wes. Additionally, Jesse James is terrific as Todd. The same can be said of Lindsay Lamb’s engaging depiction of Becca.
McGregor’s movie tells the tale of a group of thrill-seeking friends. They break into the fictional Saint Petersberg Orphanage in hopes of exploration. In so doing, they find themselves being stalked by paranormal forces. Eventually the credibly etched and relatable protagonists on-screen unveil that they can only find safety by doing as the title suggests. The symbolism of such an act, especially in a religious sense, is applied intriguingly to the project. This is without the notion ever being overdone.
Such a solid narrative foundation calls to mind David F. Sandberg’s Lights Out (2016) in its concept. Yet, McGregor’s fabrication is comparable to James Wan’s modern haunted house masterpiece The Conjuring (2013) in its ability to unnerve. This is evident in the chilling five-minute prologue of the endeavor. It is set in 1966. In turn, McGregor and his fellow scripters Cynthia Bravo (who deftly plays Karen) and Digenio craft a tale that is as scary as it is entertaining. Hide in the Light is imaginative and harrowing; an instant genre classic! It will be released by High Octane Pictures later in the year.
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[…] ” …the feature is so well-made, paced and tense that it never ceases to feel fresh and exciting. Richard Albert’s wonderfully creepy music, McGregor’s brilliant behind the lens work and Gonzalo Digenio’s rich cinematography only make the production evermore haunting and memorable.” Andrew Buckner, A Word of Dreams […]