By Andrew Buckner
10. My Dark Vanessa
By Kate Elizabeth Russell
9. Postcolonial Love Poem
By Natalie Diaz
8. Crooked River
By Douglas Preston, Lincoln Child
By Zoje Stage
6. Deacon King Kong: A Novel
By James McBride
5. Survivor Song
By Paul Tremblay
4. Camino Winds
By John Grisham
By Dean Koontz
2. Home Before Dark
By Riley Sager
1. If It Bleeds
By Stephen King
By Andrew Buckner
*The inclusion of the short films on this list is based on the criteria of a 2020 release date.
10. “The Never Was”
Director: Mike Messier.
Director: Carlyn Hudson.
8. “Dear Guest”
Director: Megan Freels Johnston.
Director: Mark Maille.
6. “Wives of the Skies”
Director: Honey Lauren.
Director: Steve Blackwood.
4. “The Dirty Burg”
Director: John Papp.
3. “Being Kris Salvi”
Director: Gabrielle Rosson.
2. “Fire (Pozar)”
Director: David Lynch.
Director: Chris Esper.
“The Onlookers and Him”
Directors: Susruta Mukherjee, Saswata Mukherjee.
By Andrew Buckner
15. Molocular Meditation by Jan St. Werner
14. Versus (EP) by Jonezen
13. After Hours by The Weeknd
12. Mystic by Mackenzie Nicole
11. My Brother’s Keeper by Swifty McVay, Kuniva
10. The Allegory by Royce Da 5’9
9. EnterFear by Tech N9ne
8. Guided Meditations (EP) by RZA
7. Pray for Paris by Westside Gunn
6. RTJ4 by Run the Jewels
5. Gorilla Twins by Ill Bill, Nems
4. No Hermono by Sean Strange
3. Loud Is Not Enough by Public Enemy
2. All My Heroes Are Dead by R.A. the Rugged Man
1. Music to Be Murdered By by Eminem
Your Birthday’s Cancelled by Iron Wigs
By Andrew Buckner
Rating: ****1/2 out of *****.
Director Steve Blackwood’s fourteen-minute short film, “Stuck” (2020)”, is an all-around clever and well-done comedy. It finds a plethora of successful laughs and a subtle undermining of heart amid its engrossing premise.
Such concerns the goings-on of George (Blackwood) and Helen Simon (Sandy Bainum). They are a couple from New York, employed in advertising, who are thrust into a situation of dire emergency. The duo bought a machine of an erotic nature. It is one meant to enhance their relationship. This is as well as their routine lives. Yet, when the inebriated young delivery guy, Finn (Max Schochet), passes out and becomes unmovably entangled in said device during its installation, the scenario becomes more than a little nerve-racking for the pair. Not only is this because they are unaware of how to get Finn out of the gadget, but also because their overly judgmental friends are on their way for dinner.
The script, from Blackwood and David Susman, does a fine job of telling this tale in an engaging, hysterical, and always credible fashion. It develops the all-too-relatable characters of George and Helen in an equally organic and satisfying manner. This is often through the knee-slapping banter between the team. Blackwood and Susman keep the pace brisk throughout the endeavor. There is not a wasted frame in the storytelling department. Moreover, the humor is successful and witty. The project gets funnier as it goes along. This is with it becoming even more effective in the second half of the production. Blackwood and Susman’s narrative also weave a nice bit of dramatic symbolism with the title word involving George and Helen themselves near the finale.
What also works in the undertaking is the cheery, sophisticated, and stylish opening and closing credit sequences. They beautifully echo the overall tone of the effort. The animation used in these moments is outstanding. Furthermore, the performances are pitch perfect. Blackwood, Bainum and Schochet are excellent in their respective turns. The cinematography is vibrant, and the musical bits are just as good. Blackwood’s behind the camera control of the venture is sharp.
In turn, “Stuck” is masterful on all accounts. It is one of the best and most uproarious brief pieces I have seen all year. I highly recommend it.
Filmmaker, author and musician Andrew Buckner, under the name Buckner, unleashed a sonic smorgasbord over the weekend. On Friday, he unveiled his second full-length album, 12 Original Beats (2020). On the same day he released his third album and the sequel to the aforementioned project, 12 More Original Beats (2020). As the title suggests, these brisk, but ambitious and musically varied, efforts are all grooves of Buckner’s own invention.
On Saturday, he unveiled The Poetry Rap EP (2020). This six-track project features Buckner rapping a half-a-dozen different sonnets from his book of poetry A Call to Life, A Cry of Pain (2013). The rhymes are married to more unique sounds created by Buckner.
On Sunday, he published another similar collection to his 12 Original Beats series. It is called 22 New Buckner Beats (2020). The 14-minute album showcases Buckner’s continued growth via sound.
Last week, Buckner also showed the world his extra short film, “Quarter: A 0.3 Second Short Film (2020)”. The endeavor is a black and white shot of a twenty-five cent piece. Containing a quick flash of a title and end credits sequence, the exercise is meant to show how quickly money leaves the hands of hard and long-working individuals. It is meant to be one of, if not the, shortest short films ever conceived.
The YouTube links to all of the above-stated productions can be found above.
Filmmaker, author and musician Andrew Buckner has released his third feature film, The Silent Journey of the Page (2020), via YouTube. The 51-minute work utilizes black and white, repeated images, silence and poetry to represent the creative process. It is an abstract piece which is also aesthetically unique and daring. The effort, which Buckner made entirely by himself for free, can be seen in full at the link above.
Filmmaker, musician and author Andrew Buckner has released his second full-length feature, The Buckner Experience (2020), via YouTube. The 80-minute work is a collection of short films and audio. Namely, they contain his What is Music? LP (2020) and his EP 5 1-Minute Freestyles (2020). Also, included in this first volume of visual and sonic productions by Buckner is the acclaimed fourteen-minute short “Andrew Buckner’s Big Screen Memories”. The film was called “intimate” and “quite fascinating” by Michael Haberfelner of (Re)Search My Trash.
Buckner has also recently released two new short films via YouTube. They are “Power Saving Mode: Attack of the Angry Phone” (2020), a sixty-second horror/comedy that concerns a phone that attacks its vain owner as he starts a new blog, and the experimental short “Surroundings: 6 10-Second Silent Stories” (2020). The latter-stated endeavor is about a half-dozen inanimate and natural objects found in Buckner’s backyard. Buckner tells the tale of each item through ten silent shots. The links to these short films can be found below.
Filmmaker, author and musician Andrew Buckner has released a four-minute short film entitled “Eyes and Bones” (2020) via YouTube. The work, which can be seen in full at the link above, is a found footage/ audio work directed, edited, recorded and produced by Buckner. The piece involves an unnamed individual who sees lights in the sky one night. The next morning he decides to document what is occurring. This triggers a series of events where the beings behind the light seem to be repeatedly following and tormenting him. Utilizing no special effects or human faces, the endeavor is another example of Buckner’s ability to make high-quality films in his backyard that are completely free of cost.
Musician, author and filmmaker Andrew Buckner, under the name Buckner, released his fifth EP yesterday afternoon via YouTube. It is entitled 5 1-Minute Freestyles. The project is a collection of five a capella rap freestyles. All of which run just a little over a minute. They were all recorded and performed by Buckner himself on the morning of June 10th, 2020. The 6-minute and 11-second work can be heard in its entirety at the YouTube link above.
Director, author and musician Andrew Buckner has released his third short documentary film via YouTube, “Andrew Buckner’s Big Screen Memories: A Short Film Retrospective on Family, Midnight Movies and the Theater Experience” (2020).
The 14 minute and 45 second project contains unscripted audio of Buckner speaking on some of the memories he has with local theaters and drive-ins throughout his life. Filled with nostalgia and a love for film, the work also showcases how the theater experience has brought him many wonderful times with his family. Buckner also reminisces on some memorable midnight movie premieres he attended. The endeavor is also broadened by Buckner discoursing on how the recent theater shutdown his altered his current feelings about motion pictures.
In turn, this is a glorious love letter to movie theaters and the connection one individual has had with them throughout the years.