The Andrew Buckner/ AWordofDreams Fall 2020 Short Film Festival continues with the second project in the thirteen-part online collection: “Scary Little F*****s (A Christmas Movie)” (2015).
Cleverly directed by Nathan Suher and written by Lenny Schwartz, the 23-minute and 33-second work is a tremendously entertaining riff on Joe Dante’s endearing masterpiece Gremlins (1984). It features enjoyable and all-around terrific lead performances from Anna Rizzo, Josh Fontaine and Rich Tretheway.
My full review of the film can be found here at the link below.
It’s Christmas eve. An inebriated dad brings home to his adolescent son a gift he hopes will mend their faltering relationship, a Fookah, a devilish and disgusting creature that in turns wrecks havoc on their lives.
Vimeo Link for the Film in Full:
*All films in this festival were used with the kind permission of the filmmakers themselves.
The following is a list of thirty-one horror films. This is with one genre selection, some independent and some mainstream, from each of the past thirty-one years. Each feature, all of which comes with my highest of recommendations, is supposed to represent one of the thirty-one days in October. It is also meant to be a must-watch horror list where one movie is viewed per day of the month. This is to create the ultimate AWordofDreams/ Andrew Buckner approved Halloween film festival.
Without further ado, here is the list in its entirety.
Tetsou: The Iron Man (1989) Director: Shinya Tsukamoto.
Gremlins 2: The New Batch (1990) Director: Joe Dante.
Nekromantic 2 (1991) Director: Jorg Buttgereit.
Dead Alive (1992) Director: Peter Jackson.
Fire in the Sky (1993) Director: Robert Lieberman.
Serial Mom (1994) Director: John Waters.
Castle Freak (1995) Director: Stuart Gordon.
The Stendhal Syndrome (1996) Director: Dario Argento.
The Wax Mask (1997) Director: Sergio Stivaletti.
Bride of Chucky (1998) Director: Ronny Yu.
Stir of Echoes (1999) Director: David Koepp.
Ginger Snaps (2000) Director: John Fawcett.
Frailty (2001) Director: Bill Paxton.
May (2002) Director: Lucky McKee.
High Tension (2003) Director: Alexandre Aja.
Saw (2004) Director: James Wan.
Land of the Dead (2005) Director: George A. Romero.
Stylishly and strikingly directed by Gabrielle Rosson, “Salvation” (2020) brilliantly captures the look and feel of its summer of 1957 setting. Based an original script entitled “Fink” by actor Kris Salvi, the twelve-minute short film never wavers as a masterclass in elegant Martin Scorsese-like mood. Briskly paced and fluently entertaining, the project benefits from the natural on-screen chemistry, likability, and overall marvelous performances from leads Justin Thibault (as Santo) and Salvi (as Salvatore). Further benefitted by often cryptic dialogue, especially in the masterfully done diner sequences which take up the bulk of the effort, Thibault and Salvi command every bit they are in together.
The plot revolves around the consequences of a grim past affecting the present state of long-time friends Salvatore and Santo. Rosson’s rich screenplay takes what could have been a relatively straightforward narrative and gives it intimacy, depth, and complexity. The endeavor never loses its eye on the central figures. Best of all, it smartly develops Salvatore and Santo in a largely banter-driven manner. It is one which is, like the entirety of the attempt, both slick and engaging.
What also helps the work become so magnificent and robust is the colorful, eye-popping cinematography by Manx Magyar. Additionally, Ian Rashkin’s music is superb. It suits the smooth attitude of the exercise terrifically well. Michael Hansen and Rosson’s editing is pitch perfect. The same can be said of Kimmi Monteiro’s set decoration. The fleeting turns from Paul Kandarian as Ciro and Sarah Morse as Bambi are just as effective. The opening, especially the early black and white portion which perfectly reflects the decade appropriate flair of the narrative, and concluding credits are visually remarkable bookends to the undertaking. What is just as noteworthy is the climax of the venture. It is beautiful and violent in equal measure.
In turn, “Salvation” is classy, sophisticated, and brooding. It is a bullseye of talent in front of and behind the camera. Like Rosson’s previous brief picture, “Being Kris Salvi” (2020), it stands as one of the greatest narratives of its type of the year. Similarly, it continues to establish Rosson as a fantastic moviemaker with a firm grasp of the medium. “Salvation” is highly recommended viewing.
Filmmaker, author and musician Andrew Buckner has released his third feature film, The Silent Journey of the Page (2020), via YouTube. The 51-minute work utilizes black and white, repeated images, silence and poetry to represent the creative process. It is an abstract piece which is also aesthetically unique and daring. The effort, which Buckner made entirely by himself for free, can be seen in full at the link above.
Filmmaker, author and musician Andrew Buckner has released a four-minute short film entitled “Eyes and Bones” (2020) via YouTube. The work, which can be seen in full at the link above, is a found footage/ audio work directed, edited, recorded and produced by Buckner. The piece involves an unnamed individual who sees lights in the sky one night. The next morning he decides to document what is occurring. This triggers a series of events where the beings behind the light seem to be repeatedly following and tormenting him. Utilizing no special effects or human faces, the endeavor is another example of Buckner’s ability to make high-quality films in his backyard that are completely free of cost.
Director, author and musician Andrew Buckner has released his third short documentary film via YouTube, “Andrew Buckner’s Big Screen Memories: A Short Film Retrospective on Family, Midnight Movies and the Theater Experience” (2020).
The 14 minute and 45 second project contains unscripted audio of Buckner speaking on some of the memories he has with local theaters and drive-ins throughout his life. Filled with nostalgia and a love for film, the work also showcases how the theater experience has brought him many wonderful times with his family. Buckner also reminisces on some memorable midnight movie premieres he attended. The endeavor is also broadened by Buckner discoursing on how the recent theater shutdown his altered his current feelings about motion pictures.
In turn, this is a glorious love letter to movie theaters and the connection one individual has had with them throughout the years.
Above is a streaming link to my first audio/video review! It is for Chris Esper’s brilliant new short film, “Yesteryear” (2020). The project, which is undoubtedly my favorite short film of the year so far, gets five out of give stars from me. It is available on Stories in Motion’s YouTube channel to stream in full right now.
Andrew Buckner, writer and site owner of AWordofDreams, released his debut album, What is Music?, on his Facebook page yesterday.
Unveiled under the artist name Buckner, the project is a 5-part, 26-track, 33-minute experimental/concept record. It showcases the many forms music can take as well as the spontaneity of the art. Covering spoken word, freestyle rap, acoustic guitar, a capella singing, natural sounds and more, this 100% indie work is completely improvised and original. It was performed and recorded by Buckner himself.
You can stream the album in full at the Facebook link above.