The Andrew Buckner/ AWordofDreams Fall 2020 Short Film Festival – Films 10 and 11: “Re:jected by Reality” (2003) and “Pat and Matrice (2014)”

By Andrew Buckner

The Andrew Buckner/ AWordofDreams Fall 2020 Short Film Festival continues with two excellent works that feature the talents of director Mike Messier. First off, we have “Re:jected by Reality” (2003). It is a twenty-four-minute documentary, directed by Messier, that is as thoughtful as it is purely entertaining. This is especially true when considering how it portrays Messier’s attempts to  conquer the frightening world of reality television. The last entry in this Messier double-bill is “Pat and Matrice” (2014 ). It is a tense and dramatic character study,  strengthened by two fantastic lead performances, that also operates as an eight-minute, seventh episode of the web series In the Bedroom (2014). The project was directed by Audrey Noone.

Film #10: “Re:jected by Reality” (2003)


HBO. Jerry Springer. WWE. MTV. A young and angry Mike Messier takes on the world of reality television and goes toe to toe with the decision makers and power brokers of the Pop Culture World , including a trip to Las Angeles, not because of family ties to a rich uncle or a Hollywood legacy, but because of his own damn talent and perseverance.




A woman dealing with crisis needs the support of her close girlfriend to get her through the chaos.



*All films shown in this festival are used with the kind permission of the filmmakers.

The Andrew Buckner/ AWordofDreams Fall 2020 Film Festival – Films #5,6,7,8 and 9: “Faux Drive-In Trailers: ‘Poolasaurus!’/’Wrath of the Seagulls!’ (2020)”, “A Drop of Blood With a Comedic Twist (2020)”, “In Conversation With Myself By Andrew Buckner (2020)”, “Eye (2020)” and “Eyes and Bones: A Found Footage/ Audio Short Film (2020)”

By Andrew Buckner

The Andrew Buckner/ AWordofDreams Fall 2020 Film Festival continues with a block of shorts directed by Buckner himself. These terrifying and often intentionally tongue-in-cheek works are: “Faux Drive-In Trailers: ‘Poolasaurus!’/ ‘Wrath of the Seagulls!’ (2020)”, ” A Drop of Blood With a Comedic Twist” (2020)”, “In Conversation with Myself By Andrew Buckner (2020)”, “Eye” (2020) and “Eyes and Bones: A Found Footage/ Audio Short Film (2020)”.



A pair of fake drive-in movie trailers created by director Andrew Buckner, “Faux Drive-In Trailers: ‘Poolasaurus!/ ‘Wrath of the Seagulls’ ” is a one-minute and thirty-four second project that plays like an old-fashioned ad for a double bill of imaginary black and white films. The fun, campy and funny work proclaims that both features will be released in drive-ins during “Summer, 1957”.




A serious three-minute and thirty-eight second horror short with a humorous post-credits bit, “A Drop of Blood With a Comedic Twist” (2020) concerns a man who attempts to document what happens when the sky blackens during midday and conflicting reports of both a dragon and a UFO take over the news.

After finding a drop of blood on the concrete outside, he finds himself being stalked by the malevolent creature in question.




“In Conversation With Myself By Andrew Buckner” (2020) is a black and white, faux documentary that runs 3 minutes and 45 seconds.

Staged as the first episode of an audio program, it showcases writer-director Buckner finding out his theory of publicly discussed ideas taking on a life of their own is true in terrifying fashion.


FILM #8: “EYE (2020)”


“Eye” (2020) is a three-minute short film by Andrew Buckner. It is about an “energy” creature that brings the dead back to life and feasts on eyes. It is also told by entirely showing the eye of the protagonist.




“Eyes and Bones” is a found footage/audio short horror film by Andrew Buckner. The fictional work chronicles an unnamed individual who tries documenting his strange encounters the morning after he sees a light streak through the sky. From herein, the beings behind the light start to relentlessly pursue him.


*All films shown in this festival were used with the kind permission of the filmmakers themselves.

The Andrew Buckner/ AWordofDreams Fall 2020 Short Film Festival – Film #4: “A Tricky Treat” (2015)

By Andrew Buckner

Film #4: “A Tricky Treat” (2015)

The winner of multiple awards from film festivals across the United States, director and editor Patricia Chica’s “A Tricky Treat” is a brilliant, seamless blend of genuinely effective horror and magnificently macabre dark comedy. The quite graphic effects and makeup work is an impressive highlight throughout the three-minute and 11-second project. Moreover, the performances, script and perfectly constructed tone help make this wonderfully warped narrative a true gem for the Halloween season. It’s endlessly intriguing and efficient; wall-to-wall entertaining and delightfully bizarre.


A man is kidnapped by an unusual family. Things get even worse when he realizes that two children are in control of his fate. It is, as the YouTube description for the work states, “A shocking tale of the unexpected with a twist.”

26-Second Trailer for the Film:

YouTube Link For the Film in Full:

* All films shown in this festival are used with the kind permission of the filmmakers themselves.

“Exeter at Midnight (2020)”- Short Film Review

By Andrew Buckner

Rating: ****1/2 out of *****.

“Exeter at Midnight” (2020), a twelve-minute and thirty-one second short film from director Christopher Di Nunzio and screenwriter Kris Salvi, is a superb dialogue and character-driven gangster tale. It is also a fantastic performance piece for its two leads, David Graziano (as Anthony Fechetti) and Salvi (as the “Recently Made” Vincent). Much of the sheer effective force of the undertaking lies in the banter and highly credible turns of Graziano and Salvi. On this front, the pair certainly deliver.

The project concerns Anthony being approached by Vincent in his home. Vincent offers Anthony a chance to come out retirement for one more job as a hitman. Regardless, Anthony is haunted by the violence he has seen. This element is derived particularly from one masterfully done sequence. It launches the exercise with high-intrigue and emotional intensity. The act of brutality in question occurred in Fitchburg, Massachusetts in 1978. This segment provides an engaging commencement to Anthony’s uncertainty towards the proposal from Vincent. The bulk of the plot and the way audiences get to know Anthony revolves around this internal struggle.

From this angle, the chronicle is consistently meditative. It readily allows viewers to slip into the ever-deteriorating mind-state of Graziano’s character. This also adds to the intimacy of all that transpires on-screen. Such an aspect is especially noticeable in the commencing moments of the endeavor. This is where Graziano seems to be talking to himself as well as the viewers. Such is a wonderful and wise touch. It is one that makes the attempt evermore open, insightful and, for some, relatable.

The venture is all-around beautiful in its construction. Di Nunzio offers taut, atmospheric direction that oozes organic underlying power and tough guy attitude. His cinematography is also striking. It perfectly reflects said tone. The editing by Amanda Faughn, sound work and score heard only in the sharp end credits are all equally good. Moreover, Audrey Noone is excellent in her brief turn as Maria. Teddy Pryor as Young Anthony and Di Nunzio as Petey fare just as well. Additionally, the script from Salvi is smartly paced. It is also filled with sharp and realistic banter and convincing central figures.

In turn, “Exeter at Midnight” is a marvelous reflection on crimes of the past and future. It has a lot to say about how such acts eternally afflict the spirit and weigh down the mind. Di Nunzio’s narrative is profound in an organic, earthy way. This is in a manner that many cinematic showcases attempt but often fail. The story has often been told, but rarely with such inherent poignancy. It is also effortlessly entertaining too boot. Simply stated, “Exeter at Midnight” is a knockout.

The Andrew Buckner/ AWordofDreams Fall 2020 Short Film Festival – Film #3: “Next/Door” (2015)

By Andrew Buckner

FILM 3#: “NEXT/ DOOR” (2015)

The Andrew Buckner/ AWordofDreams Fall 2020 Short Film Festival continues with the third of thirteen films in the series, “Next/Door” (2015). Deftly written by Brian Pickard and directed Nathan Suher, the 17-minute and 21-second work is a masterfully acted, Hitchockian thriller filled with sharply honed suspense.



Average schlub, Otto Wells, lives in an apartment adjacent to the woman of his dreams, Patty, who is in a relationship with her abusive boyfriend. One night Otto hears through the thin walls something that ignites his obsession to terrifying heights.



*All films used in this festival are shown with the kind permission of the filmmakers themselves.

Andrew Buckner’s “Mower Vengeance” Fake Trailer Accepted Into Weird Local Virtual Film Festival

By Andrew Buckner site owner and writer, Andrew Buckner, has just received his first acceptance into a film festival!

“Mower Vengeance: From Grass to Flesh” (2020), a fake black and white movie trailer about a murderous lawn mower that runs 41 seconds and was made entirely by Buckner in his backyard, will be a part of the Weird Local Virtual Film Festival’s latest gala of “super short films” (all a minute or less). It will play with the other selected projects for said cinematic celebration starting at 8p.m. on October 24th, 2020. The event will be online at Weird Local Virtual Film Festival’s YouTube channel. A link for which can be found at the link below.

Weird Local Virtual Film Festival YouTube Channel:


The Andrew Buckner/AWordofDreams Fall 2020 Short Film Festival- Film #2: “Scary Little F*****s (A Christmas Movie)” (2015)

By Andrew Buckner

The Andrew Buckner/ AWordofDreams Fall 2020 Short Film Festival continues with the second project in the thirteen-part online collection: “Scary Little F*****s (A Christmas Movie)” (2015).

Cleverly directed by Nathan Suher and written by Lenny Schwartz, the 23-minute and 33-second work is a tremendously entertaining riff on Joe Dante’s endearing masterpiece Gremlins (1984). It features enjoyable and all-around terrific lead performances from Anna Rizzo,  Josh Fontaine and Rich Tretheway.

My full review of the film can be found here at the link below.


It’s Christmas eve. An inebriated dad brings home to his adolescent son a gift he hopes will mend their faltering relationship, a Fookah, a devilish and disgusting creature that in turns wrecks havoc on their lives.

Official Trailer:

Vimeo Link for the Film in Full:

*All films in this festival were used with the kind permission of the filmmakers themselves.

31 Years of Horror in 31 Days: A Halloween Must-Watch List

By Andrew Buckner

The following is a list of thirty-one horror films. This is with one genre selection, some independent and some mainstream, from each of the past thirty-one years. Each feature, all of which comes with my highest of recommendations, is supposed to represent one of the thirty-one days in October. It is also meant to be a must-watch horror list where one movie is viewed per day of the month. This is to create the ultimate AWordofDreams/ Andrew Buckner approved Halloween film festival.

Without further ado, here is the list in its entirety.

Tetsou: The Iron Man (1989)
Director: Shinya Tsukamoto.

Gremlins 2: The New Batch (1990)
Director: Joe Dante.

Nekromantic 2 (1991)
Director: Jorg Buttgereit.

Dead Alive (1992)
Director: Peter Jackson.

Fire in the Sky (1993)
Director: Robert Lieberman.

Serial Mom (1994)
Director: John Waters.

Castle Freak (1995)
Director: Stuart Gordon.

The Stendhal Syndrome (1996)
Director: Dario Argento.

The Wax Mask (1997)
Director: Sergio Stivaletti.

Bride of Chucky (1998)
Director: Ronny Yu.

Stir of Echoes (1999)
Director: David Koepp.

Ginger Snaps (2000)
Director: John Fawcett.

Frailty (2001)
Director: Bill Paxton.

May (2002)
Director: Lucky McKee.

High Tension (2003)
Director: Alexandre Aja.

Saw (2004)
Director: James Wan.

Land of the Dead (2005)
Director: George A. Romero.

Bug (2006)
Director: William Friedkin.

Inside (2007)
Directors: Alexandre Bustillo, Julien Maury.

The Strangers (2008)
Director: Bryan Bertino.

Antichrist (2009)
Director: Lars von Trier.

The Loved Ones (2010)
Director: Sean Byrne.

The Human Centipede II (Full Sequence) (2011)
Director: Tom Six.

Sinister (2012)
Director: Scott Derrickson.

The Conjuring (2013)
Director: James Wan.

Goodnight Mommy (2014)
Directors: Severin Fiola, Veronika Franz.

The Witch (2015)
Director: Robert Eggers.

Raw (2016)
Director: Julia Ducournau.

Mother! (2017)
Director: Darren Aronofsky.

Antrum: The Deadliest Film Ever Made (2018)
Director: David Amito, Michael Laicini.

Doctor Sleep (2019)
Director: Mike Flanagan.

I’m Thinking of Ending Things (2020)
Director: Charlie Kaufman.

The Andrew Buckner/ AWordofDreams Fall Short Film Festival 2020 – Film #1: “Entropia” (2018)

By Andrew Buckner

The Andrew Buckner/ AWordofDreams Fall Short Film Festival 2020, which will focus primarily on everything horror related, commences with the award-winning “Entropia”. It is the first of thirteen films in the aforementioned online gala.

Boasting a superbly engaging and altogether terrific performance by Sissy O’Hara, the 14-minute and 54-second project resonates a wonderfully atmospheric 1970’s style. It is apparent in the mesmerizing cinematography by Amanda McGrady. The use of sound and the haunting music by Evan Phinnicie masterfully reflect this quality. Brilliantly written and directed by Marinah Janello, the work unfolds with deft confidence and memorable imagery aplenty. The effects, another frequently strong aspect of the visual appeal of this endeavor, are often gooey and tremendously well-done. Moreover, the story itself is fascinating. This is especially true of the “show over tell” nature of the way the narrative unveils. 

Character-driven, unpredictable and unforgettable, “Entropia” is a perfect treat for the Halloween season. 

FILM #1: “ENTROPIA” (2018)

Sissy O'Hara in Entropia (2018)

IMDB Link for Cast/Crew, Synopsis and other Information for the Film:

28-Second Trailer for the Film:

You can screen the film in full below:

*All films featured in this festival were used with the kind permission of those involved with the work itself.

The Andrew Buckner/ AWordofDreams Summer 2020 Short Film Festival – Films 13 and 14: “Andrew Buckner’s Big Screen Memories” (2020) and “The Man Who Fears the Rain” (2020)

By Andrew Buckner

The Andrew Buckner/ AWordofDreams Summer 2020 Short Film Festival concludes with the final pair of films in the 14-part series: “Andrew Buckner’s Big Screen Memories” (2020) and  “The Man Who Fears the Rain” (2020). Both are deeply introspective works that I wrote, produced, directed, scored and narrate. In “The Man Who Fears the Rain”, I even make a brief appearance. Both projects cost absolutely nothing to make. They were also filmed primarily in my backyard and with my phone.

As promised, the festival concludes with:

Film 13: Andrew Buckner’s Big Screen Memories 


A 14-minute and 45-second documentary which focuses on director Buckner’s personal memories and admiration of the movie theater. The piece draws primarily on midnight movie and family experiences to describe the intimate connection he has to said place. It also describes how the recent cinema shutdowns due to Covid-19 have altered his feelings as a filmgoer.

Told with audio narration and using three bits of symbolic video bits, the endeavor is a truly unique project.

(Re)Search my Trash Review of the Film:

30-Second Trailer for the Film:

Film Still:

Additional Information:


Shot in June of 2020.

The Film in Full:

Film 14: “The Man Who Fears the Rain”


A lone man ponders his fear of turbulent weather, namely rain, and wonders what it says about his inner-self.

10-Second Trailer for the Film:

Additional Information:


Runtime: 2 min. 14 sec.

Filmed in July of 2020.

The Film in Full:

* All films included in this festival were used with the kind permission of the directors themselves.